After the silly editorial by Mark Helprin, who has obviously been confused by an absolutist romantic view of “property”, the NYT published 7 or 8 letters all in substantive disagreement. Now their theater section looks at another problem that copyright terms can cause: over-control of casting decisions by playwright’s heirs.
Since Bernard-Marie Koltès died in 1989 at 41, his reputation as a playwright has continued to grow. In February, for the first time, one of his plays, “Le Retour au Désert,” entered the repertory of the Comédie-Française, the historic Paris theater popularly known as the House of Molière.
Yet soon after Muriel Mayette’s production of the play opened there, Mr. Koltès’s brother, François, who owns the copyright to his works, ordered that it be taken off the stage on June 7 after just 30 performances. The reason? The Algerian character, Aziz, is not being played by an Algerian, as stipulated by the playwright.