In a career of many many good moments of political commentary, surely one of the highlights of Jon Stewart’s career was the Wednesday March 4 episode of The Daily Show, which was almost entirely Jon Stewart doing commentary & interview about the financial situation.
I particularly loved his comment to Joe Nocera about CNBC’s “journalism” on Wall Street:
How does a guy like Rick Santelli have the balls to get mad about this idea of giving homeowners a break, when this network, CNBC — how did they miss this entire story? They’re a financial news network , I mean, it’d be like the weather channel interviewing hurricane Katrina and saying, “You know there’s reports that you have high winds and flooding,” and Katrina’s like, “No no no I’m sunny,” and they’re like “alright,” and then they walk away. This is insane!
Coming home on JetBlue on Thursday 12/29, we had an interesting experience with the TV programming. One entire “Daily Show” segment was wiped out. The program did one segment, then skipped straight to the interview with Howard Stern, and then ‘programming was temporarily unavailable due to normal motion of the aircraft’. Pretty much until the next show started when programming magically resumed. Other channels were not affected.
Many “Daily Show” fans (well, okay, me) have been concerned about the future of “This Week in God” now that Stephen Colbert is leaving “The Daily Show” for his own spinoff. Today’s NYT (10/12) explains that the segment is going to stay, but with a new correspondent — apparently, because of divine licensing:
“God has an exclusive licensing agreement with ‘The Daily Show,’ ” Mr. Colbert said. “We’re trying to get the Devil for our show.”
In completely unrelated entertainment news, Slate informs us (10/5) that the Gang of Four is covering their own songs on what is effectively a tribute album by the Gang of Four, in tribute to the Gang of Four. (Hey, I think they’re worth it.) Go4 was a little less happy with their licensing arrangement than God, apparently:
A sraightforward repackaging of the old recordings, such as a compilation or box set, would only serve to enrich EMI, their original record company in the United Kingdom. And that’s something Gang of Four didn’t want to happen. “We have never made any money at all from record sales with EMI and still have unrecouped advances,” King wrote in an e-mail. “So we didn’t want them to benefit as they did nothing to support us.” As for their original American record company, Warner Bros., King claims that they deleted Entertainment!—easily one of the 50 most powerful and influential rock albums of all time—in 1993 and only rereleased it in 2005 in response to Gang of Four’s having become a fashionable reference point. Rerecording the songs—something that contracts typically allow artists to do after 20 years—puts Gang of Four in a strong bargaining position for negotiating a new deal with superior royalty rates. “It is our way of reasserting ownership of our own material,” says King.