why? because i keep seeing interesting things but don’t have enough time to get all discursive on ‘em.
in the realm of stupid, check out ASCAP’s contribution to the “let’s teach our kids the copyright corporations’ view of copyright” animated video wars: “Donny the Downloader“.
spam subject of the day: apocalyptic daze dinnerware. i like it because, (A), how cool is the idea of an “apocalyptic daze”. and (B), it’s a modifier for dinnerware! like a cool new pattern from noritake.
natch.net posts an old entertainment industry license — a patent license on a 1906 recording.
and encryption awesomeness: firegpg. works beautifully in gmail. if you’re a mac user you’ll have to specify the gpg path in firefox tools > gpg > options; the default install is /usr/local/bin/gpg . (joe hall who pointed it to me is also awesome.)
How to give a great man-to-man hug — a hilarious video from the developing world of masculinity studies. I went to it on the off-chance that it was actually funny, and was well-rewarded for my optimism.
Kitty not happy tshirts at work: The salon.com column “dear cary” handles various ethics and manner type issues, and I read it occasionally when spending a leisurely morning catching up on news. Today’s column was out-of-the-ordinary great: a meditation on the nature of work, especially non-democratic work.
Suellen Parker, an artist, was profiled at the NYT Magazine in a little video segment about her recent NYT Magazine cover. My partner1, a reliable spotter of intellectual property issues in the news, called my attention to it. Parker’s art for the NYT cover worked like this: She built a clay model; then shot photos of real life models to sculpt the expression; shot her clay model; then took bits & pieces of real life people photos (lips, eyes), to photoshop her clay model together with a bunch of other stuff. Totally fascinating, and M & I had a fun morning conversation about whether Parker only used her own photographs; had she gotten model releases for the photoshopping use, or just for modeling expression in sculpture; and so on. As far as copyright goes, clearly a fair use, but it’s an interesting example of the sort of thing that causes problems for copyright absolutists. (Like copyright image-recognition filters ….?)
… Our conversation also touched on gender issues. Watching how Parker presents her work, and how the NYT frames it — edits it, what music they choose for the background — and how we receive the video, we wondered how it would be different if the artist were a man. How much internalized sexism do we have in evaluating this artist? Would we see her as more “artiste” and less “craftsperson” if her voice had been his deep tenor voice? Would the NYT have chosen a more dramatic background music? A recent study suggests that we begin absorbing gender roles even as toddlers — how deeply embedded are gender roles in our construction of the world? Pretty damn.
And then there was this cool geekery — a video about new technologies that combine social information (like flickr, tagging, etc.) with new photo viewing & recognition technologies. (seadragon & photosynth). The less cool end of this fabulous flickr futurism: Combining photos from flickr with all the knowledge of the world & 3D visualization sounds fun and all, but flickr censors images for people based on their government. What will it look like when we combine flickr’s image censorship with AT&T’s proposed network filtering with google’s youtube video filtering? I see lots of blank spots in the brave new web 2.0 world.
1. My partner, legally recognized as such for at least a few more years. Thanks, Massachusetts!
In the tradition of santorum, comes now brownbacking — a verb that describes pandering to Biblical literalists by casting doubt on evolution and science.
See Spanish Inquisition for the history of the term.
Regal Entertainment Group has designed a little device so movie-goers can wirelessly complain about things that are affecting their experience, plus, of course, PIRACY!
New York Magazine had a great idea about what to do with the device at Pirates of the Caribbean 3:
First of all, we’re amused by the button marked PIRACY. We know we don’t care whether the person next to us is videotaping the screen. But how great would it be to head into a Regal theater, request one of the devices and a ticket to this past weekend’s No. 1 movie, and then spend two hours pressing the PIRACY button over and over and over, yelling “There it is again!”